Уильям Гэддис: искусство романа - Стивен Мур

278

278. Пинчон Т., Винляндия, пер. М. Немцова, М.: Эксмо, 2014.

279

279. Moore S., “Parallel, Not Series”: Thomas Pynchon and William Gaddis, Pynchon Notes, 1983.

280

280. Moore T., The Style of Connectedness: “Gravity’s Rainbow” and Thomas Pynchon, Columbia: University of Missouri Press, 1987.

281

281. Cowart D., Thomas Pynchon and the Dark Passages of History, Athens: University of Georgia Press, 2011.

282

282. Max D. T., Every Love Story Is a Ghost Story: A Life of David Foster Wallace, New York: Viking, 2012.

283

283. Wallace D. F., A Supposedly Fun Thing I’ll Never Do Again, Boston: Little, Brown, 1997. Примерно в это же время (1992) я отправил Уоллесу мнение судьи Криза из The New Yorker, которое тот назвал «блестящим».

284

284. The First Draft Version of Infinite Jest, May 2003; Carlisle G., Elegant Complexity: A Study of David Foster Wallace’s “Infinite Jest”, Los Angeles: Sideshow Media Group, 2007; Burn S., David Foster Wallace’s “Infinite Jest,” 2nd edn., New York: Continuum, 2012.

285

285. В интервью 1996 года Уоллес провел различие между писателями типа Томаса Пинчона и Гэддиса, отнеся одного к «коммерческому авангарду», а другого к «охрененно радикальному авангарду» типа «Беккета, Fiction Collective 2 и Dalkey Archive» (Conversations with David Foster Wallace, ed. S. Burn [Jackson: University Press of Mississippi, 2012]). Уильям Гэсс пользовался термином «консервативный авангард» (в The Vicissitudes of the Avant-Garde) применимо к писателям типа Гэддиса; см. Статью Рона Шейверса The End of Agapē (в его совместном с Табби сборнике Paper Empire) о применимости этого термина к Гэддису.

286

286. Мысль (фр.), с отсылкой к «Мыслям» Блеза Паскаля. — Прим. пер.

287

287. Morrow B., An Interview with Joseph McElroy, Conjunctions, May 1987.

БИБЛИОГРАФИЯ

КНИГИ УИЛЬЯМА ГЭДДИСА

The Recognitions. New York: Harcourt, Brace, 1955. Rpt. New York: Penguin, 1993.Rpt. Champaign, IL: Dalkey Archive Press, 2012.

J R. New York: Alfred A. Knopf, 1975. Rpt. New York: Penguin, 1993. Rpt. Champaign, IL: Dalkey Archive Press, 2012.

Carpenter’s Gothic. New York: Viking, 1985. Rpt. New York: Penguin, 1986.

A Frolic of His Own. New York: Poseidon Press, 1994. Rpt. New York: Scribner, 1995.

The Rush for Second Place: Essays and Occasional Writings. New York: Penguin, 2002.

Agapē Agape. New York: Viking, 2002. Rpt. New York: Penguin, 2003.

The Letters of William Gaddis, ed. Steven Moore, Champaign, IL: Dalkey Archive Press, 2013.

КНИГИ О УИЛЬЯМЕ ГЭДДИСЕ

William Gaddis, “The Last of Something”, ed. Cystal Alberts, Christopher Leiseand Birger Vanwesenbeeck. Jefferson, NC: McFarland, 2009.

William Gaddis, ed. Harold Bloom. Bloom’s Modern Critical Views, Philadelphia: Chelsea House, 2004.

William Gaddis, ed. Jean-Louis Brunel and Michel Gresset. Profils américains,6, Autumn 1994.

Comnes, G., The Ethics of Indeterminacy in the Novels of William Gaddis. Gainesville: University Press of Florida, 1994.

Reading William Gaddis: A Collective Volume of Essays on William Gaddis’s Novels, from J R to Agapē Agape, ed. Brigitte Félix. Orléans: Presses Universitaires d’Orléans, 2007.

Green, J., Fire the Bastards! 1962. Rpt. Normal, IL: Dalkey Archive Press, 1992.

Johnston, J., Carnival of Repetition: Gaddis’s The Recognitions and Postmodern Theory. Philadelphia: University of Pennsylvania Press, 1990.

Knight, C. J., Hints and Guesses: William Gaddis’s Fiction of Longing. Madison: University of Wisconsin Press, 1997.

In Recognition of William Gaddis, ed. John Kuehl and Steven Moore. Syracuse: Syracuse University Press, 1984.

William Gaddis: A Portfolio, ed. Rick Moody. In Conjunctions, 41, 2003.

Moore, S., A Reader’s Guide to William Gaddis’s The Recognitions. Lincoln: University of Nebraska Press, 1982.

Moore S., William Gaddis. Boston: Twayne Publishers, 1989.

William Gaddis / Nicholas Mosley Number, ed. John O’Brien. Review of Contemporary Fiction, 2.2, Summer 1982.

Tabbi, J., Nobody Grew but the Business: On the Life and Work of William Gaddis. Evanston: Northwestern University Press, 2015.

Paper Empire: William Gaddis and the World System, ed. Joseph Tabbi and Rone Shaver. Tuscaloosa: University of Alabama Press, 2007.

Wolfe, P., A Vision of His Own: The Mind and Art of William Gaddis. Madison, NJ: Fairleigh Dickinson University Press, 1997.

ДРУГИЕ МАТЕРИАЛЫ О ГЭДДИСЕ

Abádi-Nagy, Z., The Art of Fiction CI: William Gaddis. Paris Review, 105, Winter 1987.

Aldridge, J. W., The Ongoing Situation. Saturday Review, 4 October 1975.

Banning, C. L., The Time of Our Time: William Gaddis, John Hawkes and Thomas Pynchon. PhD diss., SUNY at Buffalo, 1977.

Benstock, B., On William Gaddis: In Recognition of James Joyce. Wisconsin Studiesin Contemporary Literature, 6, Summer 1965, p. 177–189.

Berkley, M., PW Interviews: William Gaddis. Publishers Weekly, 12 July 1985, p. 56–57. Rpt. in slightly different form as Credo of a Shy Author:‘What’s any artistbut the dregs of his work, the human shambles?’ Chicago Sun-Times, 31 July 1985, Book Week.

Birkerts, S., Down by Law. New Republic, 7 February 1994.

Birkerts, S., Parting Shots. New York Times Book Review, 6 October 2002.

Bradbury, M., Writers in Conversation 13: William Gaddis. London: Instituteof Contemporary Arts, 1986. Videocassette originally distributed by the Roland Collection, Northbrook, IL.

Bush, F., A Bleak Vision of Gothic America. Chicago Tribune, 14 July 1985, Bookworld.

Chénetier, M., ‘Centaur Meditating on a Saddle’: Fabric and Function of the Narrative Voice in William Gaddis’s J R. symplokē, 14.1–2, 2006.

Clare, R., Family Incorporated: William Gaddis’s J R and the Embodiment of Capitalism. Studies in the Novel, 45.1, Spring 2013.

Comnes, G., The Law of the Excluded Muddle: The Ethics of Indeterminacy in William Gaddis’s A Frolic of His Own. In Powerless Fictions? Ethics, Cultural Critique, and American Fiction in the Age of Postmodernism, ed. Ricardo Miguel Alfonso. Amsterdam: Rodopi, 1996.

D’hoker, E., Order and Chaos: A Critical Analysis of William Gaddis’s A Frolicof His Own. Licentiate thesis, Katholieke Universiteit Leuven, 1996.

Ekelund, B. G., Recognizing the Law: Value and Identities in William Gaddis’sA Frolic of His Own. In Folkways and Law Ways: Law in American Studies, ed. Helle Porsdam. Odense: Odense University